Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.