For families with children ages 2-4. Space is limited and advance registration is required.

Participate in a discussion on Isamu Noguchi’s Trinity (1945), featured in the special exhibition Noguchi: Body-Space Devices.

For families with children ages 2-4. Space is limited and advance registration is required.

As part of Open House New York (OHNY) weekend, admission to the Museum is free on October 19–20, with a public tour at 2 pm and curator-led tour at 3 pm. Each October, this citywide event unlocks the doors of New York’s most architecturally significant buildings, offering an opportunity to meet the people who design, build, and preserve New York.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

For families with children ages 5-11. Space is limited and advance registration is required.

As part of Open House New York (OHNY) weekend, admission to the Museum is free on October 19–20, with a public tour at 2 pm and curator-led tour at 3 pm. Each October, this citywide event unlocks the doors of New York’s most architecturally significant buildings, offering an opportunity to meet the people who design, build, and preserve New York.

For families with children ages 5-11. Space is limited and advance registration is required.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

For families with children ages 2-4. Space is limited and advance registration is required.

On the first Friday of every month, admission is free.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

Exhibition co-curators Dakin Hart, Noguchi Museum Senior Curator, and Naomi Frangos, Visiting Associate Professor, Department of Architecture, Cornell University, lead a tour of In Search of Contoured Playground.

Families with children ages 2–11 are invited to explore Isamu Noguchi’s designs in In Search of Contoured Playground and Models for Spaces, and to make their own models in the studio.

The Noguchi Museum is pleased to offer Professional Development Programs for educators throughout the school year. Thematic programs provide teachers with primary resources for the classroom and interdisciplinary strategies for including Noguchi’s art and writing in their curriculum.

For families with children ages 2-4. Space is limited and advance registration is required.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

For families with children ages 5-11. Space is limited and advance registration is required.

Join an extended conversation on Isamu Noguchi’s sculpture The Spirit’s Flight (1969).

For families with children ages 5-11. Space is limited and advance registration is required.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

For families with children ages 2-4. Space is limited and advance registration is required.

A special one-night dance and culinary experience, the inaugural Noguchi at Night fall fundraiser is presented in collaboration with artist Brendan Fernandes, Lloyd Knight, Principal at Martha Graham Dance Company, and Masayo Funakoshi, Chef at Farmoon, in Kyoto, Japan. The progressive cocktail party will include performances throughout the Museum and a DJ set by Karsten Sollors. Proceeds will support the Museum’s exhibitions and educational programs.

For families with children ages 2-4. Space is limited and advance registration is required.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

Explore the natural colors found in Isamu Noguchi’s works, and then join visiting artist Shiro Oe in the studio to dye a silk scarf using traditional Nishijin-kasuri and Nishijin-ori techniques.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

For families with children ages 5-11. Space is limited and advance registration is required.

Families with children ages 2–11 are invited to explore the galleries and participate in art-making activities in the studio.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.

Brendan Fernandes: Contract and Release is activated by dancers interacting with six “training devices” that Fernandes modeled on the Rocking Chair that Isamu Noguchi created for Martha Graham’s Appalachian Spring (1944), as well as Noguchi’s sculptures throughout the installation.