Isamu Noguchi (1904–1988) was profoundly in sync with America’s mid-century obsession with the power of design to shape the modern world. Dual exhibitions Composition for Idlewild Airport and The Sculptor and the Ashtray testify to his interest in making sculpture everywhere out of everything.
In 1956, Noguchi was invited by the architects Skidmore, Owings & Merrill (SOM) to submit a design for a monumental sculpture for the new International Arrivals Building they were designing for New York’s Idlewild Airport, the first large-scale international airport in the world. Four years later, in a 1960 magazine profile of Noguchi written for The Palette, R. Buckminster Fuller seemed to acknowledge the appropriateness of Noguchi working in the context of an airport, stating, “… Isamu has always been inherently at home—everywhere. He has to-and-froed in his great back and front yards whose eastward and westward extensions finally merged in world encirclement … World airlines pilots … hold history’s travel records. But it is safe to say that Isamu Noguchi is history’s most traveled artist.”