Learn about the materials and process used to create Isamu Noguchi’s The Well (1982), and participate in an interpretive conversation led by educator Matthew Capezutto. Bring a pencil and paper for a short writing or sketching exercise.

Learn about the materials and process used to create Isamu Noguchi’s The Well (1982), and participate in an interpretive conversation led by educator Matthew Capezutto. Bring a pencil and paper for a short writing or sketching exercise.

Learn about the materials and process used to create Isamu Noguchi’s Brilliance (1982), and participate in an interpretive conversation led by educator Matthew Capezutto. Bring a pencil and paper for a short writing or sketching exercise.

Learn about the materials and process used to create Isamu Noguchi’s Brilliance (1982), and participate in an interpretive conversation led by educator Matthew Capezutto. Bring a pencil and paper for a short writing or sketching exercise.

Learn about the materials and process used to create Isamu Noguchi’s Strange Bird (1945), and participate in an interpretive conversation led by Shannon Murphy, Head of Education. Bring a pencil and paper for a short writing or sketching exercise.

Seen and Unseen is a monthly series of virtual tours for adults who are blind or have low vision, leading participants through interactive experiences with Isamu Noguchi’s art. This month, the program explores the contrast between two important materials in Noguchi’s repertoire, paper and stone.

Kate Wiener, Assistant Curator, will lead a presentation on selected objects from Isamu Noguchi’s collectibles — his personal collection of objects ranging from musical instruments to ancient artifacts from around the world.

Matthew Kirsch, Curator of Research and Digital Content, will present Isamu Noguchi’s photographs from his travels throughout Europe and Asia in 1949–50.

Alex Ross, Managing Editor, The Isamu Noguchi Catalogue Raisonné, will lead a discussion on the public art competitions that Isamu Noguchi participated in during the 1930s.

Dakin Hart, Senior Curator, will lead an in-depth look at the 26 galvanized steel editions that Isamu Noguchi made for Gemini G.E.L. in the early 1980s — one of Noguchi’s largest and least understood bodies of work.