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PUTTING THE PIECES TOGETHER
ART FOR EVERYONE
GRADES 6-8
Isamu Noguchi believed that art should be accessible to a broad public audience,
not exclusively to the art community.
Through public projects, commercial
furniture designs and individual sculptures,
Noguchi was able to create art that went beyond personal expression to
explore the functionality of space and art applied to the
‘lived-in’ environment.
Throughout his life, he designed several functional
objects for private use including tables, chairs, a radio, and his
well-known bamboo and paper lamps or “light-sculptures” which he called Akari.
Noguchi
contemplated the need for people to enjoy life. He recognized the desire to socialize,
to play, and to find wonder in the beauty of the natural world. His interest in providing
opportunities for these activities prompted Noguchi to design public
sites. For Noguchi, art needed to
be more than personal expression, so he began to explore the role of art in
the lives of everyday people.
CURATING ONE’S OWN MUSEUM
GRADES 6-8
SAMPLE LESSON
OBJECTIVE
Students
will learn what a curator is in relationship to a collection. Students will also learn that, at the
end of his life, Noguchi chose to create a museum in Queens
and curated the space himself. Students will then engage in an
activity about collections and curating their own
spaces.
COOPERATIVE
DISCIPLINES
Language
Arts, Mathematics, Science, Social Studies
MATERIALS
Paper,
pencils
Curator’s
Checklist (see Resources)
Image
of The Noguchi Museum (Indoor Galleries)
MOTIVATION/PROCEDURE
o
Tell
students that today they will be talking about ‘curators’ and
‘collections’. Write
these words on board or a large pad of paper.
o
Ask,
“Does anyone here collect anything? If so, what is it?” (Invite as many responses as are
appropriate. Note the diversity
of people’s collections, or similarities if they are more easily
apparent.) “Why do you collect these
things? What is it about them?”
o
Then
ask, “What about these collections? Can we learn anything about the
‘collector’ by knowing or seeing what their collection is? Where do you keep your collection? Is it in one place? Are the items in many different
locations? Why do you choose to
keep your collection this way?”
o
Note
if there are any protective measures people take with their collections (i.e.
baseball cards in plastic sleeves in binders). Ask students to explain these measures
and why they are important to maintaining the collection.
o
Tell
students that you are now going to share with them some photos of someone
else’s collection. Ask
students to look at the photos carefully. What do they see? (Rocks, different
colors, different shapes, etc.)
o
Ask
students what they think can be learned about the collector of these objects
based on what they see? Can they
make a guess about this person’s interest based on these items?
o
Now,
tell the group that there is something particularly unique about this
collection. Explain to the group
that this is a collection of things made by a person, who then decided to
create a place for the collection for all people to see.
o
Does
this change what they thought about the person before?
o
Does
this add anything to their ideas about the person whose collection this is?
o
Ask,
“Can anyone tell me what you might call a place like the
one in these pictures – a place where all kinds of people can go and
look at a ‘collection’ of things?”
o
Finally,
tell group that the person whose collection they have been looking at and
talking about was named Isamu Noguchi.
Tell group that (if they have not said this already), Noguchi was an
artist. At the end of his life,
he created The Noguchi Museum in Long Island City, New York, and put this
collection in the Museum in the way he wanted people to see it.
o
Explain
to the group that when you go somewhere like a museum, the person responsible
for deciding where objects should go and how visitors should see and
experience them (what first, what last? etc.) is called a
‘curator’. When
Noguchi was living, he was the curator of the Museum. Tell the group that today, there is a
different curator of the Museum’s collection, and it is this
person’s job to maintain and oversee the collection and to continue to
show people Noguchi’s artwork in new and exciting ways.
o
Now,
explain to students that what you want them to think about is what kind of
museum they would create and curate if they could. What would the collection be? How would they want people to look at
this collection? (On the wall, at
tables in books, sitting on the floor).
o
Tell
group that what you would like them to do is to create a plan for their
museum using the Curator’s Checklist. You can also invite them to create
drawn plans of the space as they envision it, if appropriate.
SHARING
o
When
students have completed their plans, ask them to present the idea behind
their museums to the class.
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